Tahiti Nui TV (TNTV) integrates PlayBox Technology EU ‘Channel-in-a-Box’ systems with CTS Enterprise software to advance broadcast management efficiency

Tahiti Nui Television (TNTV)  upgrades traffic system to boost programming capabilities

TNTV is a vibrant French Polynesian television channel that was launched in June 2000 delivering dynamic local news, sport, culture, politics, entertainment, world news and general interest programmes across the whole stretch of Polynesian islands in French and Tahitian languages.

 

When TNTV took the initiative to upgrade its entire broadcast management system in 2016, the television channel chose CSE, French Software Company specialising in advertising and TV scheduling, to implement with the help of partner PlayBox Technology Europe (PBTEU) an advanced broadcast solution in league with leading international industry standards. The installation was based on two powerful PlayBox Technology EU ‘Channel-in-a-Box’ platforms based on PlayBox Technology products, and on CSE’s CTS Enterprise software to drive the TV station forward, setting it apart from regional competitors.

 

PlayBox Technology EU’s ‘Channel-in-a-Box’ systems equip broadcasters with solutions that deliver both software-defined hardware turnkey systems, such as facilities for ingest, media management, titling, graphics, playout and scheduling, as well as a complete solution. These can perform equally outstanding results in SDI, IP, hybrid and virtualised environments. CSE’s CTS Enterprise software effectively manages linear and non-linear scheduling operating in a multi-channel environment. The system offers real-time overview of the broadcast scheduling process and its features include programme library, rights management, long-term planner, mass modification of scheduled content, promotion management, as well as quota reporting. It is also designed to interface with aspects of the broadcasting business such as ingest, automation, and airtime sales systems.

 

PBTEU’s TAILORED SOLUTION REVOLUTIONISES HOW A TV STATION WORKS
PBTEU created a tailored solution based on PlayBox Technology EU ‘Channel-in-a-Box’ systems to revolutionise how TNTV works providing full parallel functionality along with automated content and playlist transfer, working in 1:1 back-up mode in SD format. Every playlist was prepared and checked using a dedicated preparation station separate from the main playout platform which was considered as an advanced way of operating in the region. Furthermore, TNTV benefitted from a multi playout manager on top of the workflow throughput for remote management. This enabled content to be prepared for delivery through the pipeline via four ingest stations which are also in SD formats. Indexation and media descriptions are then completed in DataBox for which TNTV holds a full set of core and editing licenses. It is at this point that the integration with CSE’s CTS Enterprise software comes in to complete the workflow picture.

 

PBTEU AND CSE FACE THE INTERFACE – CSE’s Sales and Marketing Manager Hugo Berthelot talks through the process, “TNTV wanted our traffic system to be interfaced with their broadcast tools. PBTEU played an important role by providing us with essential trial versions so that we could test that the interface was working properly. They also connected us with other professionals throughout the process including specialised engineers who could help respond on GUI applications. PBTEU was involved with the project from the start and always interested at every phase, meticulously following up exchanges which was critical to achieving success and ensuring every detail was nailed down.”

 

CSE integrated their CTS Enterprise software with PlayBox Technology EU ‘Channel-in-a-Box’ systems at TNTV. A connector was developed to automatically import technical information (Title, ID, TCs, and video file localisation) from DataBox to CTS database. Interfaces were also created between CTS Enterprise and PlayBox Technology’s software products ListBox and AirBox so that playlists can be automatically exported to the playout and as-run logs imported after broadcast. CTS Enterprise also communicates with CTS Publicity, CSE’s airtime sales software setup one year before. Through the integration with PlayBox Technology EU ‘Channel-in-a-Box’ systems, the sales-house automatically recovers advertising as-run logs to establish campaign reports.

 

The entire implementation process took just over three months to complete, and during this period, one of the CSE’s associates spent three weeks onsite in Tahiti to train users and accompany them during the software change.

 

Following this extensive upgrade, TNTV has secured the management of all its programmes, commercials, promotions, and secondary events, and guaranteed compliance with programme quota and distribution rights – with the peace of mind that all these processes are all safely administered automatically with a business software that is totally dedicated to TNTV’s dynamic broadcast design management.



PBTEU’s Sales Director and Managing Partner Alexander Stoyanov remarks, “TNTV is one of PBTEU’s most important and well-respected customers in the region and we enjoy a solid relationship with them. Their team fully understands the value of maintaining their installation and they are a loyal partner. TNTV also delivers a professional and valuable service to their audience and we are very proud to support them on an ongoing basis as they continue to expand and evolve. It has been a pleasure working with CSE on this project with their in-depth knowledge of programming markets, and we look forward to many more projects ahead.”

 

Associate and TV Project Director of CSE, Marc-Olivier Hechenblaickner notes, “When TNTV approached us to upgrade their broadcast management system to our CTS Enterprise software and to integrate it in the playout platform, we first thought about how we would streamline the workflow by developing an interface with Databox and another one with ListBox and AirBox. To do this, we immediately sent our questions to PBTEU whose answers allowed us to progress faster. Then, we remotely tested and validated the integration before coming to Tahiti so that I could focus on user training and assistance after my arrival to ensure that CSE had successfully completed the project for the deadline.” Adding further, “This project fully embraced the simplified creation of programme schedules and playlists with positive results. Our partnership with PBTEU is important to us, and our combined services and efforts brings added value to our customers.”

 

THE CUSTOMER HAS THE LAST WORD

Poerava DUVAL, Scheduling Manager at TNTV – “The installation of CTS Enterprise has improved the communication within the services of the channel. The commercial department has now a real-time overview of the playlist and can validate the proper insertion of the advertising campaigns. In the broadcast department, operators had to enter programmes manually in the playout based on documents extracted from our previous broadcast management system. Today, CTS Enterprise exports automatically a formatted computer file into PlayBox Technology EU ‘Channel-in-a-Box’ systems. For operators, the time saving is huge!

 

She continues, “I am very satisfied of the final result. The team is reactive despite the distance and is truly listening to us. They took the time to understand our organization and were able to adapt the solution to our specificities.”

 

CSE partnered with PBTEU at their IBC stand in 2016 demonstrating the CTS software range including Enterprise, Publicity and CRM providing essential tools for efficient advertising and broadcast management. CSE has been serving major sales-houses and broadcasters for over 25 years in France and abroad through its innovative IT business solutions. Some of CSE’s clients include TF1, Lagardère, beIN SPORTS, NextRadioTV, Antenne Reunion, EMG (Russia), SNRT, Regie3 (Morroco), RTI (Ivory Coast) and many more.

 


Written by: Carole Cox, Radiance Communications – www.radiancepr.com for PBTEU

Chaos Group’s V-Ray Wins Academy Award

We are delighted to congratulate our partners from Chaos Group for their remarkable success, contribution to the industry and the recognition they have recently received. Read the story below.

Photorealistic Production Renderer to be Honored for Advancing the Use of Fully Ray-Traced Rendering in Motion Pictures

Vlado Koylazov

Vlado Koylazov, CTO and Co-Founder of Chaos Group

Chaos Group announced that Co-Founder, Vlado Koylazov has won a Scientific and Engineering Award for the “original concept, design and implementation of V-Ray.” The award honors pioneers whose “developments result in significant improvements to motion picture production”.

Used on over 150 feature films since 2002, including recent hits like Doctor Strange, Deadpool, and Captain America: Civil War, V-Ray provides artists with world-class photorealism, helping them create stunning computer-generated visuals for audiences around the world. The creatures, characters, and environments rendered with V-Ray are key elements of modern films, and comprise the majority of work nominated for visual effects Oscars over the last six years.

In its announcement, the Academy praised V-Ray for its “efficient production-ready approach to ray tracing and global illumination, its support for a wide variety of workflows, and its broad industry acceptance that proved instrumental in the widespread adoption of fully ray-traced rendering for motion pictures.” Koylazov received one of the 18 Sci-Tech Awards in 2017.

“This award reflects the hard work and dedication of the entire V-Ray team,” said Koylazov, CTO and Co-Founder of Chaos Group. “I am also immensely thankful to all the artists and studios for the great work they have created with V-Ray over the years. I’d like to congratulate the other Sci-Tech winners as well – their efforts have pushed the boundaries of visual effects in film. We are looking forward to more great movies in the years to come.”

 

V-Ray Users Weigh In:

Ben Grossmann, Magnopus CEO and Visual Effects Oscar winner for Hugo said: “I’m fortunate to have been honored by the Academy for work we created with V-Ray, and I’m glad to see Vlado and his team get the recognition they deserve for their contributions. Many of us owe them a lot for their support of cinema over the years.”

“Ray tracing has been a key part of ScanlineVFX’s pipeline since our work on 300 in 2007,” said Stephan Trojansky, ScanlineVFX VFX Supervisor and Sci-Tech Oscar winner for Flowline. “We’ve depended on V-Ray to deliver thousands of shots on over 50 feature films since that time. We couldn’t be happier for Vlado and his team.”

“On Tron: Legacy, we pushed ray tracing and global illumination to its fullest,” noted Eric Barba, VFX Oscar-winning VFX Supervisor. “We couldn’t have done it without V-Ray. Thanks to Vlado and the team for their continued support.”

 

About V-Ray

From architecture and design to visual effects in film and television, V-Ray is the most widely used rendering solution in the world. V-Ray has helped artists and designers visualize their best work for over 20 years, pushing the boundaries of imagery, animation, and virtual reality.

 

About Chaos Group

Chaos Group is a worldwide leader in computer graphics technology, helping artists and designers create photoreal imagery and animation for design, television, and feature films. Chaos Group specializes in physically-based rendering and simulation software used daily by top design studios, architectural firms, advertising agencies, and visual effects companies around the globe. Today, the company’s research and development in cloud rendering, material scanning, and virtual reality is shaping the future of creative storytelling and digital design. Founded in 1997, Chaos Group is privately owned with offices in Sofia, Los Angeles, Baltimore, Seoul, and Tokyo. For more information, visit: chaosgroup.com.

 

If you are wlling to learn more about V-Ray, we would be more than happy to assist you. Just get in touch with us.

 

 

“Turnkey” systems vs DIY software and hardware combos – which is best?

Over the last few years, a growing number of systems used in broadcast and post production have migrated from being custom manufactured hardware, to software solutions running on relatively standard computer platforms.  This has opened the door for broadcasters to construct their own hardware solutions on which to run that software, but what are the Pros and Cons compared to buying a complete “turnkey” system from a manufacturer?

 

We asked a number of experienced industry professionals for their views, who have backgrounds in engineering, management and systems integration. Martin Parsons is a veteran digital engineer formerly of The Mill and The Moving Picture Company, now CEO of Image Eyes Ltd. Adam Scott is General Manager of Spectrum Films in Australia, having previously worked with Foxtel and ABC in New York. Jurij Blazin is the Technical director of STN, (Satellite Telecommunications Network), a company that broadcasts hundreds of channels for its customer TV stations. Vladimir Stanic is the General Manager of manufacturer and global systems integration company PBT EU (PlayBox Technology Europe Ltd).

 

The Pros and Cons

One of the strongest points in favour of the DIY (“Do it yourself”) route is the ability to “cherry pick” exactly the right hardware for a particular application. Most solutions comprise of some form of “off the shelf” computer, running an operating system with the chosen software application, supported by additions such as video input/output boards, graphics accelerators and networking facilities. Media storage is then added as required.

Martin Parsons sees the advantages of being able to create a custom solution; “A turnkey solution might not be the “best of breed” solution that you get from a non-turnkey or open solution where you can choose each of the components to be the best available. You can choose each component to be exactly suitable for your needs and not be over-designed and over-priced accordingly.”

Cost advantages with DIY builds are clearly an attraction, as each component can be purchased at the best price and operational costs can also be lower if the customer is able to take advantage of more flexible options, as Adam Scott points out; “The ability to turn on/off applications, work on a subscription or floating license model, allows your business to be more elastic with processing/expansion and makes it very attractive.”

Vladimir Stanic, GM of PBT EU

Vladimir Stanic, GM of PBT EU

However, as PBT EU’s Vladimir Stanic suggests, some of the perceived cost advantages of making a DIY platform aren’t quite as they seem. “It takes a great deal of time to research each of the components, check for compatibility, compare with others and so forth, and it is important to factor in these costs when making a comparison.”

Compatibility between components is a very big issue for the DIY builder to deal with. Individual components might simply not work together, or worse, generate seemingly random and sporadic faults and crashes that are notoriously hard to track down. Martin Parsons recognises the risk; “A problem with an open solution is that it might not be interoperable, in other words, all the component products might not work well with each other as they come from different manufacturers. The individual components in a turnkey product from a single manufacturer should be totally interoperable as they will have been designed to be so.” It is a concern to the DIY builder that if they do happen across compatibility issues – which manufacturer do they then go to for support? Each component is likely to be correctly functioning on its own – or at least, so its manufacturer will say and the blame-shifting will begin resulting in delays!

It is certainly true to say that a key advantage of a turnkey system is that it will have been subjected to a great deal of testing in real-world applications. These should have trapped and corrected any issues of component compatibility. PBT EU make a range of broadcast servers called “EXEcutor”. On the face of it, these can be perceived as computers that run server software, but Vladimir Stanic highlights the intense level of stringent research and testing that goes into the manufacturing process as a turnkey solution which means they are so much more than just a computer that can be easily self-built. “A broadcast server is more than a mere melting pot of hardware components with a bit of software thrown in, there is so much more involved. There is an immense amount of R&D work, integration adoption, countless hours of testing and compliance verification operations that takes place. A great number of different manufacturers and technological providers are also involved in the process, which result in a complete product designed to be the very heart of a TV station.”

EXEcutor Broadcast Servers, Copyright PBT EU July 2016

Vladmir further points out,” PBT EU’s EXEcutor production line is a result of stringent detailed research and testing for deployment including warranties with clear RMA procedures, reaction times with assurance that replacements required are always trackable. Included in the complete solution, is our dedicated 24-hour technical support accessibility for the final product covering both the software and hardware components – in summary, everything is taken care of by one company, in one place, making it so much easier for the customer.”

Ongoing support and training are also issues for the DIY builder to consider. A turnkey manufacturer will know exactly what the customer is aiming to achieve with their purchase, whereas the manufacturers of individual computer hardware are unlikely to have any specialist knowledge of the demands of the broadcast industry or have the broader picture in context. The commercial success of a new installation is not just related to its technical reliability. It is also related to how that system is encompassed into the general workflow of the customer’s company. Success in this area will have a lot to do with aftersales support and user training, both of which lend the advantage to the turnkey solution.

STN Facilities

Award winning STN teleport, Slovenia

Satellite Telecommunications Network (STN) is a heavy user of broadcast servers, offering playout facilities for hundreds of global television broadcasters. As such, they are very well placed to weigh up the advantages of home-grown technology versus the offerings of many turnkey manufacturers. Technical Director Jurij Blazin explains, “STN’s teleport in Slovenia currently handles several hundred TV channels being received from and transmitted to, all parts of the globe. A significant number of customers have a need to use our playout services, where they can upload their content, add graphical detail and set a playlist schedule for transmission. We’ve seen significant growth for playout facilities in recent years. Finding the right equipment to meet their needs at a cost that works within their business case requirements is always a challenge.”

Jurij Blazin, Technical director of STN

Jurij Blazin, Technical director of STN

STN chose PBT EU’s EXEcutor range of broadcast servers, after considering all available options. Jurij explains, “From a technical point of view, the PBT EU EXEcutor broadcast equipment is easy to install and operate for our clients and we already have quite a number co-located in our facility. Also, PBT EU provides our customers with a training course which serves to enable the customers to come to terms with the operation of the equipment in a very short space of time. This enables our customers to work much quicker with our service offering. For example, one of our customers uses more than 25 units for their SD and HD playout systems with virtually no interaction required from our operational team on a day to day basis. The system is fully operated remotely by the client with STN purely providing hands and eyes for support.”

Clearly, training and support were a major deciding factor for STN. But perhaps the overriding factor when deciding whether to go the DIY or turnkey route is about reliability, or more specifically, how “mission critical” is the application under consideration? Perhaps for non-critical applications, the DIY route, with its inherent bespoke tailoring and limited costs could be the way to go. But for applications upon which an enterprise relies, such as the broadcast servers employed by STN, the turnkey route is likely to be the preferred one.

If nothing else, the old maxim “No one got fired for buying IBM” could apply. No matter how good the intentions are of an engineer who comes up with a creative hardware/software solution in-house to save costs, the issue arises that if that system becomes the reason why a TV station goes off-air, the same engineer is in for a very difficult meeting with the boss!

PBT EU’s Vladimir Stanic concludes, “The difference in price between the original turnkey solution versus non-turnkey is insignificant compared to the risk of building your own broadcasting system equipment, and facing huge expensive risks when problems arise. My advice is that customers should honestly evaluate the risk of loss due to a system failure and factor that into the debate about choosing DIY compared to the more stable turnkey route.”

 

Written by: Carole Cox, Radiance Communications – www.radiancepr.com for PBTEU

SDI to IP- a successful migration story!

Internet protocol-based technology has been the future of broadcasting for years but in some areas, especially live video production SDI still dominates. IP-based technology advancements may change that in near future.

 

The recent research “Focus Forward 2016 Technology Trends Report” by Imagine Communications highlighted SDI to IP transition as one of the major technology trend.

 

A fact that is often overlooked by most of the media companies is that currently most of them have already moved some of their operations to an IP-based environment. An incorporation of a file-based operation into their workflow as asset management or editing is a technical step towards the all-IP workflow.

 

According to the report the key drivers for the SDI to IP transition are increased agility of the IT infrastructure, technology future-proofing, operational costs reduction and economies of scale.

 

The more agile infrastructure means an introduction to new services and sources of revenue (monetization).

 

Technology future-proofing means a more simple and straightforward upgrading to new codecs, standards or other technology enhancements so in some way video format independence.

 

However every technology shift has its pain-points.

 

The major concerns to broadcasters are the expense of infrastructure upgrade, the operational disruptions and security issues.

 

So it is not surprisingly that some media professionals follow the Hybrid path- a hybrid SDI-IP facilities.

 

It is important to highlight that for nearly 41 % of the respondents the transition to an all-IP infrastructure is planned for the next 2-5 years.

 

As a proof to that story one of our biggest customers decided to leave the SDI path.

 

PBTEU has successfully completed a migration from HD-SDI to IP- based H.264 HD workflow.

SDI to IP migration

 

We successfully replaced the SDI infrastructure- 7 HD playout servers plus one redundancy change-over (backup) server.

 

Our playout server platform via its Multi Parallel Output (MPO) technology allows IP streams with different codecs (MPEG2, H.264), resolutions (HD, SD) and transports (UDP, RTP) to be outputted simultaneously.

 

Each playout server has the capability to produce 3 running simultaneously outputs: Main out- HD H.264 TS; SD Mpeg2 downscaling stream and 3rd HD-SDI out for internal monitoring and ingest.

 

Main technology differentiator is the server capability to ingest the HD material simultaneously during playout. This main goal is achieved by strictly selected and certified hardware powerful enough to handle so many parallel tasks.

 

 

At the center of the playout workflow is a NAS where are stored all media assets for each one playout server. By the implementation of a transfer manager, SafeBox, all media assets are transferred fully automatic according predefined rules.

 

Once expired SafeBox deletes the expired media assets from the storage ensuring automatic operation without manual operation.

 

Every playout server is constantly monitored by our Multi Back Manager application.

 

Thus in case of playout server failure the operation has been immediately recovered by a spare backup server.

 

In order to switch from Master IP stream out to Backup IP out we implement our special IP router tool called UDP Matrix Switcher to properly route streams with redundant master/slave topology configuration.

 

Redundant automated change-over allows playlists, logo and media assets from central storage to be transferred to a spare backup server without any manual interference.

 

Stream outputs provide high quality picture and give possibility to remove the expensive hardware H.264/Mpeg2 encoders from the workflow.

 

As a final result significant cost savings are realized to the production head-end.

 

Sources:

SDI vs. IP: The fight is on

http://www.tvbeurope.com/sdi-vs-ip-the-fight-is-on-2/

Focus Forward 2016 Technology Trends Report” by Imagine Communications